![]() So in essence, you're playing E minor 7 over C which creates C Major 9. Looking at C Major 9 again, the right hand (independent of the root), is an E minor 7 chord. This makes it easier to voice chords as you cycle through this progression. This is really a concept that is referred to as an "upper structure" chord. ![]() You could look at these tones in the right hand as being a part of the C Major 9 chord, or you could use a mental shortcut to think of them as a chord independent of the root. In your right, you have the 3rd, 5th, Major 7th and 9th. In your left hand, you have the root of the chord (C). The easiest way to think of this extended chord is to simply divide it into two parts. So we'll start with our Major 9 to minor 9 progression at the top of the circle with C Major. It's in this direction (4ths), that chords tend to want to progress.
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